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A question of time. World In My Eyes. But the fact is that it wasn't the late '60s when everything changed—at least not in popular music. White people were listening to white people performing older black music at Woodstock not to slight Jimi.

And we grew up being told one thing, but knowing something else was true. American popular music today owes everything not to The Beatles or The Rolling Stones, but to the sparks of the late s that took full flight in the '80s. To techno, to house music, to disco, to dancehall—and to hip-hop.

The '80s was hip-hop's first real decade, the era when everything started to blow up. There's an old saying that no idea's original: 'There's nothing new under the sun. It's never what you do, but how it's done. Hip-hop was about poor kids taking broken pieces of the world around them and putting them back together. This was the true break with history—the end of the beginning, if not the beginning of the end.

As complicated as it was creative, as contradictory as it was all-conquering, the story of hip-hop's eventual aesthetic takeover starts in the '80s.

Early on, it wasn't an album genre; hip-hop was all about parties and park jams, preserved and propagated via bootleg cassette. Soon after it was about stars and singles, disco loops and breakbeats, drum machines, and ultimately, albums. The art of the hip-hop album was perfected by the close of this remarkable decade.